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The passage below is accompanied by four questions. Based on the passage, choose
the best answer for each question.
For early postcolonial literature, the world of
the novel was often the nation. Postcolonial novels were usually [concerned with] national
questions. Sometimes the whole story of the novel was taken as an allegory of the nation,
whether India or Tanzania. This was important for supporting anti-colonial nationalism, but
could also be limiting – land-focused and inward-looking.
My new book "Writing
Ocean Worlds" explores another kind of world of the novel: not the village or nation, but the
Indian Ocean world. The book describes a set of novels in which the Indian Ocean is at the
centre of the story. It focuses on the novelists Amitav Ghosh, Abdulrazak Gurnah, Lindsey Collen
and Joseph Conrad [who have] centred the Indian Ocean world in the majority of their novels. . .
. Their work reveals a world that is outward-looking – full of movement, border-crossing
and south-south interconnection. They are all very different – from colonially inclined
(Conrad) to radically anti-capitalist (Collen), but together draw on and shape a wider sense of
Indian Ocean space through themes, images, metaphors and language. This has the effect of
remapping the world in the reader's mind, as centred in the interconnected global south. . .
.
The Indian Ocean world is a term used to describe the very long-lasting connections
among the coasts of East Africa, the Arab coasts, and South and East Asia. These connections
were made possible by the geography of the Indian Ocean. For much of history, travel by sea was
much easier than by land, which meant that port cities very far apart were often more easily
connected to each other than to much closer inland cities. Historical and archaeological
evidence suggests that what we now call globalisation first appeared in the Indian Ocean. This
is the interconnected oceanic world referenced and produced by the novels in my book. . .
.
For their part Ghosh, Gurnah, Collen and even Conrad reference a different set of
histories and geographies than the ones most commonly found in fiction in English. Those
[commonly found ones] are mostly centred in Europe or the US, assume a background of
Christianity and whiteness, and mention places like Paris and New York. The novels in [my] book
highlight instead a largely Islamic space, feature characters of colour and centralise the ports
of Malindi, Mombasa, Aden, Java and Bombay. . . . It is a densely imagined, richly sensory image
of a southern cosmopolitan culture which provides for an enlarged sense of place in the
world.
This remapping is particularly powerful for the representation of Africa. In
the fiction, sailors and travellers are not all European. . . . African, as well as Indian and
Arab characters, are traders, nakhodas (dhow ship captains), runaways, villains, missionaries
and activists. This does not mean that Indian Ocean Africa is romanticised. Migration is often a
matter of force; travel is portrayed as abandonment rather than adventure, freedoms are kept
from women and slavery is rife. What it does mean is that the African part of the Indian Ocean
world plays an active role in its long, rich history and therefore in that of the wider world.
Question 5 : All of the following claims contribute to the "remapping" discussed by the passage, EXCEPT:
The 'Indian Ocean world', as described in the passage relates to the
interconnected oceanic world of the global south (East Africa, the Arab coasts, and South and
East Asia) with long-lasting connections made possible by sea travel in the Indian Ocean. The
passage states that the global south was the first center of globalisation ('Historical and
archaeological evidence suggests that what we now call globalisation first appeared in the
Indian Ocean') and that the world of early international trade and commerce was not the sole
domain of white Europeans ('Those [commonly found ones] are mostly centered in Europe or the US,
assume a background of Christianity and whiteness, and mention places like Paris and New York.
The novels in [my] book highlight instead a largely Islamic space..'). So, options A, B and D
are true.
Option C is the opposite of what the passage states.
The question is " All of the following claims contribute to the "remapping" discussed by the passage, EXCEPT: "
Choice C is the correct answer.
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